At this point in the album, story protagonist, Pink, has lost all hope and has let bad ideas, the "worms", control his thoughts. In his hallucination, he is a fascist dictator who spreads hatred, with the promise that his followers would see "Britannia rule again" and "send our coloured cousins home again," and announces he is "waiting to turn on the showers and fire the ovens." The count-in is Eins, zwei, drei, Alle — German for "one, two, three, everybody". In the beginning and end the crowd chants "Hammer", a word that is a recurring theme on The Wall, particularly in the film. The song is quite strident but starts out quietly, then at 1:21 a voice yelling from a megaphone starts providing a commentary-like speech, and continues at 1:26, where the song proceeds into a very heavy section. For the rest of the song it switches back and forth from heavy to calm, the different voices coming in at different times, until the very end where the voice from the megaphone begins very desperate calls and the music and the crowd's chanting grows louder, making the voice incomprehensible. In the film version, it goes to an animated sequence with marching hammers. Also, at some points a riff from "Another Brick in the Wall" can be heard.The full, uncut animation shown at the concert begins with a cartoon image of a hill. On top of the hill are indistinct objects, moving. Suddenly, as the guitar leitmotif plays briefly, the sky goes dark grey, a symbol of evil. The scene scrolls down ...
Thursday, October 18, 2012
Pink Floyd Waiting For The Worms
Pink Floyd Waiting For The Worms Video Clips. Duration : 3.98 Mins.
At this point in the album, story protagonist, Pink, has lost all hope and has let bad ideas, the "worms", control his thoughts. In his hallucination, he is a fascist dictator who spreads hatred, with the promise that his followers would see "Britannia rule again" and "send our coloured cousins home again," and announces he is "waiting to turn on the showers and fire the ovens." The count-in is Eins, zwei, drei, Alle — German for "one, two, three, everybody". In the beginning and end the crowd chants "Hammer", a word that is a recurring theme on The Wall, particularly in the film. The song is quite strident but starts out quietly, then at 1:21 a voice yelling from a megaphone starts providing a commentary-like speech, and continues at 1:26, where the song proceeds into a very heavy section. For the rest of the song it switches back and forth from heavy to calm, the different voices coming in at different times, until the very end where the voice from the megaphone begins very desperate calls and the music and the crowd's chanting grows louder, making the voice incomprehensible. In the film version, it goes to an animated sequence with marching hammers. Also, at some points a riff from "Another Brick in the Wall" can be heard.The full, uncut animation shown at the concert begins with a cartoon image of a hill. On top of the hill are indistinct objects, moving. Suddenly, as the guitar leitmotif plays briefly, the sky goes dark grey, a symbol of evil. The scene scrolls down ...
At this point in the album, story protagonist, Pink, has lost all hope and has let bad ideas, the "worms", control his thoughts. In his hallucination, he is a fascist dictator who spreads hatred, with the promise that his followers would see "Britannia rule again" and "send our coloured cousins home again," and announces he is "waiting to turn on the showers and fire the ovens." The count-in is Eins, zwei, drei, Alle — German for "one, two, three, everybody". In the beginning and end the crowd chants "Hammer", a word that is a recurring theme on The Wall, particularly in the film. The song is quite strident but starts out quietly, then at 1:21 a voice yelling from a megaphone starts providing a commentary-like speech, and continues at 1:26, where the song proceeds into a very heavy section. For the rest of the song it switches back and forth from heavy to calm, the different voices coming in at different times, until the very end where the voice from the megaphone begins very desperate calls and the music and the crowd's chanting grows louder, making the voice incomprehensible. In the film version, it goes to an animated sequence with marching hammers. Also, at some points a riff from "Another Brick in the Wall" can be heard.The full, uncut animation shown at the concert begins with a cartoon image of a hill. On top of the hill are indistinct objects, moving. Suddenly, as the guitar leitmotif plays briefly, the sky goes dark grey, a symbol of evil. The scene scrolls down ...
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